Hack for (y)our rights

AFRICA’SOUT! is a creative dynamic space made to initiate + create radical ideas that change the way we all engage with Africa. Highlighting the urgency of pressing social and political issues, they, like us, believe in ‘Imaginative Activism’. And we are more than thrilled they asked us to collaborate on a short art curation format to be also featured through their instagram : @africasout. <3

black, trans and proud

The Black lives Matters movement, term used for the first time in 2013, is an activist movement developped, on the other side of the Atlantic ocean, as a reslut of polician’s violence and blunders among the afro-american community. “Black lives matter” is the motto of the mobilisation, wich is presented not only in the United States or in Canada but also in Africa, especially in Ghana.

YZ, about ‘Amazone’ : ‘I searched for the warriors from the past to talk to those from the future’

In nowadays Republic of Benin once lived a female regiment of warriors, the Amazons of Dahomey, women protected by the King itself. Chosen and enlisted for their physical robustness and strength, they were socially equal to men. Fearless warriors, they decapitated their French enemies through the first years of the French-Dahoméenne war.

Spotlights on Nollywood!

From last 4 to 7 June, Paris hosted the third edition of the Nigerian Film Festival, the Nollywood Week Film Festival. An opportunity to return to a phenomenon that has propelled the most populous country in Africa on center stage, alongside the Bollywoodian outsider and the overwhelming Hollywood machine. How did Nigeria emerge within the Top 3, despite a substantial lack of resources which have long played against it? Can the advent of a new “Nollywood”, more structured, reverse the trend in cinematography for the coming years?

Empire, la série “swag” par excellence ! / Empire, or the swaggest show ever!

The Empire series, which has been surfing the FOX in the US this winter – and everything reversed on its way, it’s little to say! – is a blatant example of how western folk culture is enamored of certain aspects of Afro-American culture, rejecting codes that it reappropriates itself elsewhere. While ostentation has become a full-fledged claim, how to interpret this denial?