{"id":1341,"date":"2017-05-24T23:26:03","date_gmt":"2017-05-24T22:26:03","guid":{"rendered":"http:\/\/blackstothefuture.com\/en\/?p=1341"},"modified":"2017-05-24T23:28:30","modified_gmt":"2017-05-24T22:28:30","slug":"shout-me-down-if-you-can","status":"publish","type":"post","link":"http:\/\/blackstothefuture.com\/en\/shout-me-down-if-you-can\/","title":{"rendered":"shout me down if you can"},"content":{"rendered":"<h2 style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1344\" src=\"http:\/\/blackstothefuture.com\/en\/wp-content\/uploads\/sites\/3\/2017\/05\/BsttF_visuel_power.jpg\" alt=\"\" width=\"756\" height=\"756\" srcset=\"http:\/\/blackstothefuture.com\/en\/wp-content\/uploads\/sites\/3\/2017\/05\/BsttF_visuel_power.jpg 1691w, http:\/\/blackstothefuture.com\/en\/wp-content\/uploads\/sites\/3\/2017\/05\/BsttF_visuel_power-150x150.jpg 150w, http:\/\/blackstothefuture.com\/en\/wp-content\/uploads\/sites\/3\/2017\/05\/BsttF_visuel_power-300x300.jpg 300w, http:\/\/blackstothefuture.com\/en\/wp-content\/uploads\/sites\/3\/2017\/05\/BsttF_visuel_power-768x768.jpg 768w, http:\/\/blackstothefuture.com\/en\/wp-content\/uploads\/sites\/3\/2017\/05\/BsttF_visuel_power-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 756px) 100vw, 756px\" \/><\/h2>\n<h2 style=\"text-align: center;\">\u00a0To go further :<\/h2>\n<p style=\"text-align: center;\">Quote: <a href=\"https:\/\/hyperallergic.com\/368290\/censorship-not-the-painting-must-go-on-dana-schutzs-image-of-emmett-till\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Censorship, Not the Painting, Must Go: On Dana Schutz\u2019s Image of Emmett Till<\/i><\/a><\/p>\n<p style=\"text-align: center;\">The 2017 Whitney Biennial official website <a href=\"http:\/\/whitney.org\/Exhibitions\/2017Biennial\" target=\"_blank\" rel=\"noopener noreferrer\">=&gt;<\/a><\/p>\n<div>\n<div style=\"text-align: center;\">\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=4D8YPDdsxYU\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Black Focus<\/i><\/a>, Yussef Kamaal (Full Album)<\/p>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">\n<p><a href=\"https:\/\/openspace.sfmoma.org\/2016\/05\/notes-on-border-crossing-imagined-and-invisible-places-invented-cartography-and-purposeful-cultural-smuggling\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Notes on border crossing, imagined and invisible places, invented cartography and purposeful cultural smuggling\u00a0\u00bb<\/a>, by Marcella Faustini<\/p>\n<p><a href=\"http:\/\/progressive.org\/magazine\/letter-nephew\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i>A Letter to My Nephew<\/i><\/a>, by James Baldwin, 1962<\/p>\n<p><a href=\"https:\/\/www.erudit.org\/fr\/revues\/bhp\/2014-v23-n1-n1\/1026516ar\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab Le d\u00e9fi d\u2019une histoire objective et inclusive. Fear of a Black Nation: Race, Sex and Security in Sixties Montreal par David Austin \u00bb<\/a>, \u00a0Jean-Philippe Warren, 2014<\/p>\n<\/div>\n<div>\n<h3 style=\"text-align: center;\">Artwork :<\/h3>\n<p style=\"text-align: center;\">M.Y. pour B(s)ttF<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab A reasoned conversation about how artists and curators of all backgrounds represent collective traumas and racial injustice would, in an ideal world, be a regular occurrence in art museums and schools. [Yet, it is a deeply puritanical and anti-intellectual strain to] putting moral judgment before aesthetic understanding. We may understand artworks to be indicators of racial, gender, and class privilege \u2014 I do, often. But presuming that calls for censorship and destruction constitute a legitimate response to perceived injustice leads us down a very dark path. \u00bb Coco Fusco<\/p>\n","protected":false},"author":2,"featured_media":1344,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[34],"class_list":["post-1341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-syncretics","tag-black-future-art","entry"],"_links":{"self":[{"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/posts\/1341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/comments?post=1341"}],"version-history":[{"count":5,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/posts\/1341\/revisions"}],"predecessor-version":[{"id":1347,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/posts\/1341\/revisions\/1347"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/media\/1344"}],"wp:attachment":[{"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/media?parent=1341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/categories?post=1341"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blackstothefuture.com\/en\/wp-json\/wp\/v2\/tags?post=1341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}